In addition to his interest in large walls, it is in his studio that Asaz continues his exploration of the transcription of emotions through art. He enjoys meeting his subjects, to get to know them better and to understand the relationship between his typographic ideas and the person in front of him. It is by a meticulous work on the eyes that he transcribes the emotions. He plays with the words and mixes the letters to provoke this strange optical illusion. The work with the airbrush is similar to that of a surgeon. This tool is very precise when its user manages to " master " it. In spite of a search for hyperrealism, he wishes to leave his apparent errors on the canvas so that it will not be assimilated to a photo.
